World Designers Magazine

World Designers Magazine

World Designers Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

The Shape of Old Memory

The creation of this series of works comes from the designer’s thinking on the innovative application of traditional craft culture in contemporary design and its innovative application value. Traditional craft culture is like a treasure sunk in the deep sea. People can perceive its existence and value but rarely touch it. If it is not salvaged, it will fade away and disappear, which is regrettable. Another innovation in this work is the use of epoxy resin AB glue, it can help the work maintain its good shape like sculpture, and, pay an important role in decoration.

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Maitreya Dharma

The project is inside the Xuedou Mountain Scenic Area, in Xikou Town, Fenghua District of Ningbo City, Zhejiang Province, with a planned land area of 144.997 square meters. The project site used to be an abandoned quarry with an open area in front of it, with complicated topology, where the height difference between the highest point and the bottom of the abandoned quarry is about 35 meters, and a North-Ring underground railway line passes through under the quarry.

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One Line

Reaching skyward toward the peaks beyond, a thin roof edge rises from an oxidized steel mass anchoring the building while outlining a curtain of glass below. Vertical timber fins based upon the Fibonacci sequence echo the slender blades of surrounding native grasses, grounding the translucent façade into the terrain. Defying the urban context of nearby monolithic structures, the graceful, slender building is nestled within a sliver of flora having taken its cue from the natural setting by reframing a connection to the landscape.

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Pottery Art Gallery

The Pottery Art Gallery located in Daegu, Alpha City, is designed to maximize versatility for various purposes, incorporating a layout that overcomes the topographical features. The exterior features two distinct masses stacked on top of each other. The lower level consists of public spaces accessible to visitors, while the upper level comprises private research spaces. The design of the courtyard is inspired by the sinuous shape of pottery, opening up towards the outside and enclosing the inner space. This maintains the internal aspect of the courtyard space while adapting to the urban axis.

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Ferdinand E Marcos Stadium

This is an open stadium that is an integral part of the community. A stadium that would extend the adjacent park and connect with the university. The southern end of the stadium incorporates a sloping lawn where people could walk up or have picnics and leads to an amphitheater with a magnificent backdrop. This expression of social architecture creates a barrier free stadium that is accessible to everyone. This is both a stadium and a park, a space that does not discriminate. It is social infrastructure that helps bond the community. It is a stadium for the people.

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Aida Sekkei Precut

Aida Sekkei's new factory plan focuses on wood precutting. Its concept is all about creating an architecture which embodies the series of timber processing. It includes a floating, glass enclosed walkway approximately 100 meters long inside the factory, designed for visitors to closely observe the entire pre-cutting process. The office building features large spaces with trusses made from feather edge materials, commonly used as sub materials in wooden houses. The design integrates all elements to create a showcase factory, emphasizing visibility and aesthetic appeal in every aspect.

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